Today we will be exploring the harmonized whole tone scale over dominant 7 sharp 5 chords. This is a very special (and mysterious) scale. My uncle insists that historically, jazz musicians who employed this scale have gone insane. So be forewarned. This scale has a very particular sound and its symmetrical structure makes it extremely flexible and very easy to incorporate into your playing. Both John Coltrane and Thelonious Monk have made extensive use of this scale, so be sure to give them a listen. Let’s dig into it.
A video clip of the examples
The Raw Material
Some Jazz lines (V7+ to I) to try
Some points to remember while working with new material:
- Be sure to work in all keys.
- Use a metronome or backing track.
- Improvise into and out of the lick.
- Try singing the melody note of the chord, this will help you integrate it into your playing
- Make up your own material. Write your own lines. If you want, use my lines as a seed and create variations.
Because of the symmetrical nature of the whole tone scale, we can transpose any lick up or down by whole steps and it will still work over the harmony. The next 4 examples demonstrate this.
Here are a few backing tracks for your convenience.
G7_120_Straight.mp3: G7+ Vamp 120bpm Straight
A7DMaj_110_sw.mp3: | A7+ | DMaj7 | Vamp 110bpm Swing
G7CMaj_105_Swing.mp3: | G7+ | CMaj7 | Vamp 105bpm Swing